• Archives
  • Tools
Layout
Show:
Save

"Fine Art"

Johannes Gutenberg in his workshop, . Private Collection. ©Fine Art Images / Heritage / The Image Works
EHIP2674583.jpg
Johannes Gutenberg in his workshop, . Private Collection. ©Fine Art Images / Heritage / The Image Works
Portrait of Lucrezia Borgia (1480-1519), c. 1519. Found in the Collection of National Gallery of Victoria, Melbourne. ©Fine Art Images / Heritage / The Image Works
EHIP2675221.jpg
Portrait of Lucrezia Borgia (1480-1519), c. 1519. Found in the Collection of National Gallery of Victoria, Melbourne. ©Fine Art Images / Heritage / The Image Works
Portrait of Thérésa Cabarrus, Madame Tallien (1773-1835), 1806. Found in the Collection of Brooklyn Museum, New York. ©Fine Art Images / Heritage / The Image Works
EHIP2675417.jpg
Portrait of Thérésa Cabarrus, Madame Tallien (1773-1835), 1806. Found in the Collection of Brooklyn Museum, New York. ©Fine Art Images / Heritage / The Image Works
The Edge of Doom, Between 1836 and 1838. Found in the Collection of Brooklyn Museum, New York. ©Fine Art Images / Heritage / The Image Works
EHIP2675660.jpg
The Edge of Doom, Between 1836 and 1838. Found in the Collection of Brooklyn Museum, New York. ©Fine Art Images / Heritage / The Image Works
Bacchanalia, before 1659. Found in the Collection of Art History Museum, Vienne. ©Fine Art Images / Heritage / The Image Works
EHIP2674035.jpg
Bacchanalia, before 1659. Found in the Collection of Art History Museum, Vienne. ©Fine Art Images / Heritage / The Image Works
Aimez-vous les uns les autres or La transgression du commandement , 1892. Private Collection. ©Fine Art Images / Heritage / The Image Works
EHIP2673965.jpg
Aimez-vous les uns les autres or La transgression du commandement , 1892. Private Collection. ©Fine Art Images / Heritage / The Image Works
A World, 1899. Found in the Collection of Szepmuveszeti Muzeum, Budapest. ©Fine Art Images / Heritage / The Image Works
EHIP2673944.jpg
A World, 1899. Found in the Collection of Szepmuveszeti Muzeum, Budapest. ©Fine Art Images / Heritage / The Image Works
Roman, late 2nd Century A.D. Flamingo in trap.  Without frame. Mosaic, 75 × 73 cm. Foudn in Thysdrus (El Djem, Tunisia). Tunis, Musée national du Bardo. ©Gilles Mermet/akg-images /The Image Works
EAKG0552638.jpg
Roman,
late 2nd Century A.D.
Flamingo in trap.

Without frame.
Mosaic, 75 × 73 cm.
Foudn in Thysdrus (El Djem, Tunisia).
Tunis, Musée national du Bardo.
©Gilles Mermet/akg-images /The Image Works
Roman, late 2nd Century A.D. Flamingo in trap.  Without frame. Mosaic, 75 × 73 cm. Foudn in Thysdrus (El Djem, Tunisia). Tunis, Musée national du Bardo. ©Gilles Mermet/akg-images /The Image Works
EAKG0552639.jpg
Roman,
late 2nd Century A.D.
Flamingo in trap.

Without frame.
Mosaic, 75 × 73 cm.
Foudn in Thysdrus (El Djem, Tunisia).
Tunis, Musée national du Bardo.
©Gilles Mermet/akg-images /The Image Works
France: Jacques Aliamet (1727-1786). The Halles open-air market. Etching, 1757-1761. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
ERVL1589821.jpg
France: Jacques Aliamet (1727-1786). The Halles open-air market. Etching, 1757-1761. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
The bronze statue Bear's Nest, 1994, by Dave McGary, right, stands with other bronze statues in the Arroyo entrance of the new James Museum of Western and Wildlife Art in St. Petersburg. Stone from India was used to create the sides of the Arroyo. St. Petersburg FL  2018-03-29   ©Tampa Bay Times / Scott Keeler / The Image Works
ESTP0015170.jpg
The bronze statue Bear's Nest, 1994, by Dave McGary, right, stands with other bronze statues in the Arroyo entrance of the new James Museum of Western and Wildlife Art in St. Petersburg. Stone from India was used to create the sides of the Arroyo. St. Petersburg FL 2018-03-29 ©Tampa Bay Times / Scott Keeler / The Image Works
The bronze statue Night Song, 1989, by Joe Beeler, left,  stands with other bronze statues in the Arroyo entrance of the new James Museum of Western and Wildlife Art in St. Petersburg. Stone from India was used to create the sides of the Arroyo. St. Petersburg FL  2018-03-29   ©Tampa Bay Times / Scott Keeler / The Image Works
ESTP0015171.jpg
The bronze statue Night Song, 1989, by Joe Beeler, left, stands with other bronze statues in the Arroyo entrance of the new James Museum of Western and Wildlife Art in St. Petersburg. Stone from India was used to create the sides of the Arroyo. St. Petersburg FL 2018-03-29 ©Tampa Bay Times / Scott Keeler / The Image Works
St. Jerome, Caravaggio, Michelangelo Merisi, known as (1571-1610) (attributed to) . Location: Como, Italy. Photo date: 2008. Artist: Michelangelo Merisi Caravaggio (1571-1610). Artwork date: 1607 . Private collection.  ©Mauro Ranzani Archive/ Alinari Archives / The Image Works
EALN0552477.jpg
St. Jerome, Caravaggio, Michelangelo Merisi, known as (1571-1610) (attributed to) . Location: Como, Italy. Photo date: 2008. Artist: Michelangelo Merisi Caravaggio (1571-1610). Artwork date: 1607 . Private collection. ©Mauro Ranzani Archive/ Alinari Archives / The Image Works
St. Jerome, detail Caravaggio, Michelangelo Merisi, known as (1571-1610) (attributed to) . Location: Como, Italy. Photo date: 2008. Artist: Michelangelo Merisi Caravaggio (1571-1610). Artwork date: 1607 . Private collection.  ©Mauro Ranzani Archive/ Alinari Archives / The Image Works
EALN0552476.jpg
St. Jerome, detail Caravaggio, Michelangelo Merisi, known as (1571-1610) (attributed to) . Location: Como, Italy. Photo date: 2008. Artist: Michelangelo Merisi Caravaggio (1571-1610). Artwork date: 1607 . Private collection. ©Mauro Ranzani Archive/ Alinari Archives / The Image Works
Symone Hall produced a series of charcoal portraits of the victims of the mass shooting at Parkland High School for her BFA thesis. The Silenced Series: Parkland Shooting Victims is currently showing in the BFA show at the Scarfone/Hartley Gallery at the University of Tampa, on April 26, 2018 in Tampa, Fla.  ©Tampa Bay Times / Monica Herndon / The Image Works
ESTP0015360.jpg
Symone Hall produced a series of charcoal portraits of the victims of the mass shooting at Parkland High School for her BFA thesis. The Silenced Series: Parkland Shooting Victims is currently showing in the BFA show at the Scarfone/Hartley Gallery at the University of Tampa, on April 26, 2018 in Tampa, Fla. ©Tampa Bay Times / Monica Herndon / The Image Works
Symone Hall produced a series of charcoal portraits of the victims of the mass shooting at Parkland High School for her BFA thesis. The Silenced Series: Parkland Shooting Victims is currently showing in the BFA show at the Scarfone/Hartley Gallery at the University of Tampa, on April 26, 2018 in Tampa, Fla.   ©Tampa Bay Times / Monica Herndon / The Image Works
ESTP0015361.jpg
Symone Hall produced a series of charcoal portraits of the victims of the mass shooting at Parkland High School for her BFA thesis. The Silenced Series: Parkland Shooting Victims is currently showing in the BFA show at the Scarfone/Hartley Gallery at the University of Tampa, on April 26, 2018 in Tampa, Fla. ©Tampa Bay Times / Monica Herndon / The Image Works
Paris, france: 1937. La Fée électricité by Raoul Dufy (1877-1953), in its initial surroundings of the Electricity pavilion at the International exhibition of 1937. © Roger-Viollet / The Image Works
ERVL1127114.jpg
Paris, france: 1937. La Fée électricité by Raoul Dufy (1877-1953), in its initial surroundings of the Electricity pavilion at the International exhibition of 1937. © Roger-Viollet / The Image Works
Raoul Dufy (1877-1953). The Electricity Fairy. Oil on plywood, 1937. Paris, musée d'Art moderne. © Eric Emo/Musée d'Art Moderne/Roger-Viollet/ The Image Works
ERVL4987715.jpg
Raoul Dufy (1877-1953). The Electricity Fairy. Oil on plywood, 1937. Paris, musée d'Art moderne. © Eric Emo/Musée d'Art Moderne/Roger-Viollet/ The Image Works
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. Left is Marcel Duchamp's Fountain, 1917/1964. Right is Salvador Dali and Edward James Lobster Telephone, 1938. Dr. Hank Hine, Executive Director, Salvador Dali Museum, back, center, looks at the display.    ©Tampa Bay Times / Scott Keeler / The Image Works
ESTP0014749.jpg
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. Left is Marcel Duchamp's Fountain, 1917/1964. Right is Salvador Dali and Edward James Lobster Telephone, 1938. Dr. Hank Hine, Executive Director, Salvador Dali Museum, back, center, looks at the display. ©Tampa Bay Times / Scott Keeler / The Image Works
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. Left is Salvador Dali's Venus de Milo with Drawers (and PomPoms), conceived in 1936; cast in 1964, bronze painted white with ermine pompoms. Right is Marcel Duchamp's Bicycle Wheel, 1913, (sixth version, 1964), bicycle fork with wheel mounted on painted wooden stool.    ©Tampa Bay Times / Scott Keeler / The Image Works
ESTP0014750.jpg
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. Left is Salvador Dali's Venus de Milo with Drawers (and PomPoms), conceived in 1936; cast in 1964, bronze painted white with ermine pompoms. Right is Marcel Duchamp's Bicycle Wheel, 1913, (sixth version, 1964), bicycle fork with wheel mounted on painted wooden stool. ©Tampa Bay Times / Scott Keeler / The Image Works
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. Front-right is Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even (La mariee miss a nu par see celibataires, meme) known as The Large Glass, 1915-23 (1991-92 edition.) Oil and lead on glass, with wooden frame. Back, left, is Salvador Dali's Christ of St. John of the Cross, c. 1951.    ©Tampa Bay Times / Scott Keeler / The Image Works
ESTP0014751.jpg
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. Front-right is Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even (La mariee miss a nu par see celibataires, meme) known as The Large Glass, 1915-23 (1991-92 edition.) Oil and lead on glass, with wooden frame. Back, left, is Salvador Dali's Christ of St. John of the Cross, c. 1951. ©Tampa Bay Times / Scott Keeler / The Image Works
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. The exhibition includes the Salvador Dali painting, Apparition of Face and Fruit Dish on a Beach, 1938.     ©Tampa Bay Times / Scott Keeler / The Image Works
ESTP0014752.jpg
Dali/Duchamp exhibition opens February 10 and runs through May 27, 2018 at the Salvador Dali Museum, St. Petersburg. The exhibition is dedicated to the artist's friendship and its influence on their work. The exhibition includes the Salvador Dali painting, Apparition of Face and Fruit Dish on a Beach, 1938. ©Tampa Bay Times / Scott Keeler / The Image Works
Pehr Kalm  ©TopFoto / The Image Works
ETPM0708529.jpg
Pehr Kalm ©TopFoto / The Image Works
Pierre Lafontaine (1758-1835). "Le Marché des Innocents". Oil on canvas, around 1791. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
ERVL3795301.jpg
Pierre Lafontaine (1758-1835). "Le Marché des Innocents". Oil on canvas, around 1791. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
George Catlin 1796–1872. Portage Around the Falls of Niagara at Table Rock, 1847/1848. Oil on canvas, 37.8 × 56.2 cm. Washington, National Gallery of Art. ©akg-images / The Image Works
EAKG5010182.jpg
George Catlin 1796–1872. Portage Around the Falls of Niagara at Table Rock, 1847/1848. Oil on canvas, 37.8 × 56.2 cm. Washington, National Gallery of Art. ©akg-images / The Image Works

best live chat