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"Illustration"

London, England: 1537. London Monastic Westminster.  The Abbey and Palace of Westminster. ©2005 Woodmansterne / TopFoto / The Image Works
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London, England: 1537. London Monastic Westminster.
The Abbey and Palace of Westminster. ©2005 Woodmansterne / TopFoto / The Image Works
Lincoln, Abraham; 16. Präsident der USA (1861-65); 1809-1865.-Attentat auf Präsident Lincoln durch den Schauspieler John Wilkes Booth am 14. April 1865: Der Sarg mit dem Leichnam Lincolns, aufgebahrt in der City Hall von Chicago. 1. Mai 1865.-Zeichnung von William Waud (1832-1878) für Harper's Weekly, 20. Mai 1865. Year of event: 1865. Year of work: 1865.  ©akg-images / The Image Works
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Lincoln, Abraham; 16. Präsident der USA (1861-65); 1809-1865.-Attentat auf Präsident Lincoln durch den Schauspieler John Wilkes Booth am 14. April 1865: Der Sarg mit dem Leichnam Lincolns, aufgebahrt in der City Hall von Chicago. 1. Mai 1865.-Zeichnung von William Waud (1832-1878) für Harper's Weekly, 20. Mai 1865.
Year of event: 1865. Year of work: 1865.
©akg-images / The Image Works
Midorigi - The caption for this illustration reads: Utamaro: Midorigi of Wakamatsu-ya on parade. Kitagawa Utamaro was a Japanese artist. He was considered a master at making ukiyo-e woodblock prints and paintings. He was especially regarded for his depiction of graceful women and also his bijin okubi-e. The latter were pictures of beautiful women that he drew with large heads. He lived 1754-1806. Here the courtesan Midorigi promenades under a flowering sakura (cherry tree) with her two kamuro (young girls who would become courtesans) and two shinzo (girls who had just become courtesans). Four shinzo are mentioned at top corner in inscription. The two kamuro and Midorigi wear the same kimono, decorated with herons. The two shinzo wear the same kimono. The three elder courtesans have the mark of the green house (green flower) on their shoulders and sleeves.     © Newagen Archive / The Image Works
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Midorigi - The caption for this illustration reads: Utamaro: Midorigi of Wakamatsu-ya on parade. Kitagawa Utamaro was a Japanese artist. He was considered a master at making ukiyo-e woodblock prints and paintings. He was especially regarded for his depiction of graceful women and also his bijin okubi-e. The latter were pictures of beautiful women that he drew with large heads. He lived 1754-1806. Here the courtesan Midorigi promenades under a flowering sakura (cherry tree) with her two kamuro (young girls who would become courtesans) and two shinzo (girls who had just become courtesans). Four shinzo are mentioned at top corner in inscription. The two kamuro and Midorigi wear the same kimono, decorated with herons. The two shinzo wear the same kimono. The three elder courtesans have the mark of the green house (green flower) on their shoulders and sleeves. © Newagen Archive / The Image Works
Thalia - This illustration dates to 1898 and shows a statue of Thalia in the Vatican Museum. Erato was honored as the Muse of comedy. In Greek and Roman mythology, the Muses were nine daughters of Zeus and Mnemosyne (goddess of memory). There were honored as the patrons of arts and sciences. Calliope was the head muse, and Apollo, the god of prophecy and song, was their leader.     © Newagen Archive / The Image Works
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Thalia - This illustration dates to 1898 and shows a statue of Thalia in the Vatican Museum. Erato was honored as the Muse of comedy. In Greek and Roman mythology, the Muses were nine daughters of Zeus and Mnemosyne (goddess of memory). There were honored as the patrons of arts and sciences. Calliope was the head muse, and Apollo, the god of prophecy and song, was their leader. © Newagen Archive / The Image Works
EBRAISMO ANTI-SEMITISM Caricaturizes fascist antiJewish Rumanian published on the newspaper “the defense of the race”, magazine directed from Telesio Interlandi. Express and unscrupulous of the Hebrew is ironized on the cliché of the enrichment.'The arrival - the partenza'Italia, 1939.   ©Fototeca Gilardi / akg-images / The Image Works
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EBRAISMO ANTI-SEMITISM Caricaturizes fascist antiJewish Rumanian published on the newspaper “the defense of the race”, magazine directed from Telesio Interlandi. Express and unscrupulous of the Hebrew is ironized on the cliché of the enrichment.'The arrival - the partenza'Italia, 1939. ©Fototeca Gilardi / akg-images / The Image Works
FASCISM Newspaper walls them that it explains the people which are the social roles in which you they cannot be Hebrew. Italy, November 1938.   ©Fototeca Gilardi / akg-images / The Image Works
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FASCISM Newspaper walls them that it explains the people which are the social roles in which you they cannot be Hebrew. Italy, November 1938. ©Fototeca Gilardi / akg-images / The Image Works
ANTI-SEMITISM announcement, by Council of Ministers, that it explains what cannot more make the Hebrew and the agencies by which they are excluded, after the deliberations of the so-called “Racial Laws”. Double page gives: “The defense of the race”, fascist periodical, directed from Telesio Interlandi, official organ of the Italian racists. Year II, n. I, Rome, 5 November XVII (1938)   ©Fototeca Gilardi / akg-images / The Image Works
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ANTI-SEMITISM announcement, by Council of Ministers, that it explains what cannot more make the Hebrew and the agencies by which they are excluded, after the deliberations of the so-called “Racial Laws”. Double page gives: “The defense of the race”, fascist periodical, directed from Telesio Interlandi, official organ of the Italian racists. Year II, n. I, Rome, 5 November XVII (1938) ©Fototeca Gilardi / akg-images / The Image Works
ANTI-SEMITISM'Hebrew excluded from school italiana'dettaglio of announcement, published by Council of Ministers, that he explains what cannot more make the Hebrew and the agencies by which they are excluded, after the deliberations of the so-called'Razziali'da Laws the double page give: “The defense of the race”, fascist periodical, directed from Telesio Interlandi, official organ of the Italian racists. Year II, n. I, Rome, 5 November XVII (1938).   ©Fototeca Gilardi / akg-images / The Image Works
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ANTI-SEMITISM'Hebrew excluded from school italiana'dettaglio of announcement, published by Council of Ministers, that he explains what cannot more make the Hebrew and the agencies by which they are excluded, after the deliberations of the so-called'Razziali'da Laws the double page give: “The defense of the race”, fascist periodical, directed from Telesio Interlandi, official organ of the Italian racists. Year II, n. I, Rome, 5 November XVII (1938). ©Fototeca Gilardi / akg-images / The Image Works
Head of a young woman of the Sandwich islands. Drawn during the Third Voyage of Captain Cook, 1776-1780. ©The British Library Board / The Image Works
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Head of a young woman of the Sandwich islands. Drawn during the Third Voyage of Captain Cook, 1776-1780. ©The British Library Board / The Image Works
A young woman of the Sandwich Islands. Drawn by John Webber and engraved by engraved by John Keyse Sherwin. Head and shoulder portrait of an Hawaiian girl with short hair. She is wearing rings on top of her head and a feathered ring round her neck. Her breast is covered with cloth. ©The British Library Board / The Image Works
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A young woman of the Sandwich Islands. Drawn by John Webber and engraved by engraved by John Keyse Sherwin. Head and shoulder portrait of an Hawaiian girl with short hair. She is wearing rings on top of her head and a feathered ring round her neck. Her breast is covered with cloth. ©The British Library Board / The Image Works
Paris, France:  Place de l'Opera: the hub of Paris, therefore of France, therefore of the world circa 1920  ©Mary Evans Picture Library / The Image Works
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Paris, France: Place de l'Opera: the hub of Paris, therefore of France, therefore of the world circa 1920 ©Mary Evans Picture Library / The Image Works
England: 1889. The arrival of his Majesty Nasr-ed-din, the Shah of Persia on his second visit to England, kissing the hand of the Queen.  © ILN/Mary Evans / The Image Works
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England: 1889. The arrival of his Majesty Nasr-ed-din, the Shah of Persia on his second visit to England, kissing the hand of the Queen. © ILN/Mary Evans / The Image Works
Fernand Cormon (Ferdinand Anne Piestre known as, 1854-1924). "Gaulois à cheval", sketch for the paleontology lecture hall of the Museum : "L'agriculture", 1897. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. © Petit Palais / Roger-Viollet / The Image Works
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Fernand Cormon (Ferdinand Anne Piestre known as, 1854-1924). "Gaulois à cheval", sketch for the paleontology lecture hall of the Museum : "L'agriculture", 1897. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. © Petit Palais / Roger-Viollet / The Image Works
Fernand-Anne Cormon dit Piestre (1854-1924). Esquisse pour l''amphithéâtre de paléontologie du Muséum : "Le bronze et le fer". 1897.   Sketch for the Museum's Paleontology Amphitheater: "Bronze and Iron". Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
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Fernand-Anne Cormon dit Piestre (1854-1924). Esquisse pour l''amphithéâtre de paléontologie du Muséum : "Le bronze et le fer". 1897. Sketch for the Museum's Paleontology Amphitheater: "Bronze and Iron". Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
CARICATURES ; by Alfred Edward Chalon R.A. ; 1780 - 1860 ; Angelica Catalini as Susanna ; Giuseppe Naldi as Figaro ; at the King's Theatre, London, UK ; June 1812 ; ©Performing Arts Images / ArenaPal / The Image Works
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CARICATURES ;
by Alfred Edward Chalon R.A. ;
1780 - 1860 ;
Angelica Catalini as Susanna ;
Giuseppe Naldi as Figaro ;
at the King's Theatre, London, UK ;
June 1812 ;
©Performing Arts Images / ArenaPal / The Image Works

CARICATURES ; by Alfred Edward Chalon R.A. ; 1780 - 1860 ; Lucia Elizabeth Vestris as Susanna ; Giuseppe Naldi as Figaro ; at the King's Theatre, London, UK ; June 1816 ; ©Performing Arts Images / ArenaPal / The Image Works
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CARICATURES ;
by Alfred Edward Chalon R.A. ;
1780 - 1860 ;
Lucia Elizabeth Vestris as Susanna ;
Giuseppe Naldi as Figaro ;
at the King's Theatre, London, UK ;
June 1816 ;
©Performing Arts Images / ArenaPal / The Image Works

CARICATURES ; by Alfred Edward Chalon R.A. ; 1780 - 1860 ; Luigi Lablanche as Figaro by Mozart ; at Her Majesty's Theatre, London, UK ; June 1838 ; ©Performing Arts Images / ArenaPal / The Image Works
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CARICATURES ;
by Alfred Edward Chalon R.A. ;
1780 - 1860 ;
Luigi Lablanche as Figaro by Mozart ;
at Her Majesty's Theatre, London, UK ;
June 1838 ;
©Performing Arts Images / ArenaPal / The Image Works

Alsace, France: ASTRONOMICAL CLOCK 1833 - The astronomical clock in Strasbourg cathedral was first built in 1354 and rebuilt in 1574. ©Mary Evans Picture Library/The Image Works
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Alsace, France: ASTRONOMICAL CLOCK 1833 - The astronomical clock in Strasbourg cathedral was first built in 1354 and rebuilt in 1574. ©Mary Evans Picture Library/The Image Works
REVOLUTIONARY CLOCK - Clock marking both the old and the Revolutionary hours (ten a day) and the calendar.  ©Mary Evans Picture Library/ The Image Works
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REVOLUTIONARY CLOCK - Clock marking both the old and the Revolutionary hours (ten a day) and the calendar. ©Mary Evans Picture Library/ The Image Works
COWARDY CUSTARD by Noel Coward : Programme front cover ; Devised by Gerard Frow, Alan Strachan and Wendy Toye ; Biographical revue of Coward's life ; Mermaid Theatre, London, UK ; 10 July 1972 ; ©Mander and Mitchenson /  University of Bristol / ArenaPal / The Image Works
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COWARDY CUSTARD by Noel Coward :
Programme front cover ;
Devised by Gerard Frow, Alan Strachan and Wendy Toye ;
Biographical revue of Coward's life ;
Mermaid Theatre, London, UK ;
10 July 1972 ;
©Mander and Mitchenson / University of Bristol / ArenaPal / The Image Works

Aviator Clarence Chamberlin makes his first flight from the USA to Germany.  9 June 1927  ©Mary Evans Picture Library / The Image Works
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Aviator Clarence Chamberlin makes his first flight from the USA to Germany. 9 June 1927 ©Mary Evans Picture Library / The Image Works
DRESS DESIGN THROUGH THE AGES ; Boots and Shoes from 14th - 19th Century ; 1. Charles ll  2. James ll  3. William and Mary  4. George ll ; 5. George lll ( 1770 ) 6. George lll ( 1760 )  7. George lll 1780 - 1800 ; 8. 1870 - 1880 9. William and Mary  10. 1680 - 1700 ; 11. 1680 - 1702  12. 1750 - 1775 13. 1580 - 1625 ; 14. 1710 - 1730 15. Henry Vlll 16. Semi-Clog 1780 - 1800 ; 17. Henry Vlll  18. 1778 - 1795  19. Late 15th or early 16th Century ; 20. 1500 - 1540  21. Late 14th - mid 15th Century ; 22. 1530 - 1555  23. 1535 - 1555  The Talbot Hughes Collection ; ©Performing Arts Images / ArenaPal / The Image Works
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DRESS DESIGN THROUGH THE AGES ;
Boots and Shoes from 14th - 19th Century ;
1. Charles ll 2. James ll 3. William and Mary 4. George ll ;
5. George lll ( 1770 ) 6. George lll ( 1760 ) 7. George lll 1780 - 1800 ;
8. 1870 - 1880 9. William and Mary 10. 1680 - 1700 ;
11. 1680 - 1702 12. 1750 - 1775 13. 1580 - 1625 ;
14. 1710 - 1730 15. Henry Vlll 16. Semi-Clog 1780 - 1800 ;
17. Henry Vlll 18. 1778 - 1795 19. Late 15th or early 16th Century ;
20. 1500 - 1540 21. Late 14th - mid 15th Century ;
22. 1530 - 1555 23. 1535 - 1555
The Talbot Hughes Collection ;
©Performing Arts Images / ArenaPal / The Image Works
DRESS DESIGN THROUGH THE AGES ; Boots and Shoes from 14th - 19th Century ; 1. Charles ll  2. James ll  3. William and Mary  4. George ll ; 5. George lll ( 1770 ) 6. George lll ( 1760 )  7. George lll 1780 - 1800 ; 8. 1870 - 1880 9. William and Mary  10. 1680 - 1700 ; 11. 1680 - 1702  12. 1750 - 1775 13. 1580 - 1625 ; 14. 1710 - 1730 15. Henry Vlll 16. Semi-Clog 1780 - 1800 ; 17. Henry Vlll  18. 1778 - 1795  19. Late 15th or early 16th Century ; 20. 1500 - 1540  21. Late 14th - mid 15th Century ; 22. 1530 - 1555  23. 1535 - 1555  The Talbot Hughes Collection ; ©Performing Arts Images / ArenaPal / The Image Works
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DRESS DESIGN THROUGH THE AGES ;
Boots and Shoes from 14th - 19th Century ;
1. Charles ll 2. James ll 3. William and Mary 4. George ll ;
5. George lll ( 1770 ) 6. George lll ( 1760 ) 7. George lll 1780 - 1800 ;
8. 1870 - 1880 9. William and Mary 10. 1680 - 1700 ;
11. 1680 - 1702 12. 1750 - 1775 13. 1580 - 1625 ;
14. 1710 - 1730 15. Henry Vlll 16. Semi-Clog 1780 - 1800 ;
17. Henry Vlll 18. 1778 - 1795 19. Late 15th or early 16th Century ;
20. 1500 - 1540 21. Late 14th - mid 15th Century ;
22. 1530 - 1555 23. 1535 - 1555
The Talbot Hughes Collection ;
©Performing Arts Images / ArenaPal / The Image Works
DRESS DESIGN THROUGH THE AGES ; Female Fashion - Victorian Period ; a) Silk Dress with Court Train 1828 - 1838 ; b) Silk Afternoon Dress 1872 - 1878 ; c) Silk Coat and Skirt 1855 - 1865 ; The Talbot Hughes Collection ; ©Performing Arts Images / ArenaPal / The Image Works
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DRESS DESIGN THROUGH THE AGES ;
Female Fashion - Victorian Period ;
a) Silk Dress with Court Train 1828 - 1838 ;
b) Silk Afternoon Dress 1872 - 1878 ;
c) Silk Coat and Skirt 1855 - 1865 ;
The Talbot Hughes Collection ;
©Performing Arts Images / ArenaPal / The Image Works
DRESS DESIGN THROUGH THE AGES ; Female Fashion from the Victoiran Period ; a) Silk Dress 1860 - 1870 ; b) Gauze Walking Dress 1850 - 1860 ; c) Silk Dress 1848 - 1858 ; The Talbot Hughes Collection ; ©Performing Arts Images / ArenaPal / The Image Works
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DRESS DESIGN THROUGH THE AGES ;
Female Fashion from the Victoiran Period ;
a) Silk Dress 1860 - 1870 ;
b) Gauze Walking Dress 1850 - 1860 ;
c) Silk Dress 1848 - 1858 ;
The Talbot Hughes Collection ;
©Performing Arts Images / ArenaPal / The Image Works

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