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"Illustration"

Preacher. 1912. By Egon Schiele. Gouache, Watercolour, Pencil by Egon Schiele. 47 x 30,8 cm.  © IMAGNO/Austrian Archives/ Leopold Museum Vienna / The Image Works
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Preacher. 1912. By Egon Schiele. Gouache, Watercolour, Pencil by Egon Schiele. 47 x 30,8 cm. © IMAGNO/Austrian Archives/ Leopold Museum Vienna / The Image Works
Woman in profil to the left (Strobl 1200). 1904/ 05. Pencil, black chalk, red and blue crayon with white highlights. Signed. Drawing by Gustav Klimt.  © IMAGNO/Austrian Archives / The Image Works
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Woman in profil to the left (Strobl 1200). 1904/ 05. Pencil, black chalk, red and blue crayon with white highlights. Signed. Drawing by Gustav Klimt. © IMAGNO/Austrian Archives / The Image Works
Sitting semi nude turned right (Strobl 3069). Study for The Bride. 1917/18. Pencil with white highlights. Drawing by Gustav Klimt.  © IMAGNO/Austrian Archives / The Image Works
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Sitting semi nude turned right (Strobl 3069). Study for The Bride. 1917/18. Pencil with white highlights. Drawing by Gustav Klimt. © IMAGNO/Austrian Archives / The Image Works
When McKinley is president' Uncle Sam sitting on the steps to the White House as a man (McKinley) wearing a top hat labelled 'Monopoly' walks up the steps to enter the White House.  © Photo12 /Ann Ronan Picture Library / The Image Works
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When McKinley is president' Uncle Sam sitting on the steps to the White House as a man (McKinley) wearing a top hat labelled 'Monopoly' walks up the steps to enter the White House. © Photo12 /Ann Ronan Picture Library / The Image Works
Certificate of supplier deserved to Cartier jewellers by the king of England. 1904.  © Roger-Viollet / The Image Works
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Certificate of supplier deserved to Cartier jewellers by the king of England. 1904. © Roger-Viollet / The Image Works
Great Britain: 1911. Advertisement for the jeweller's, Cartier, showing their premises on fashionable New Bond Street in 1911.  ©Mary Evans / The Image Works
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Great Britain: 1911. Advertisement for the jeweller's, Cartier, showing their premises on fashionable New Bond Street in 1911. ©Mary Evans / The Image Works
PERU IN 1753 - A typical scene in the Peruvian countryside, with a Mulatto woman on a horse, a caleche (coach) a llama, a vicuna, a huanaco, and various racial types  ©Mary Evans Picture Library/ The Image Works
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PERU IN 1753 - A typical scene in the Peruvian countryside, with a Mulatto woman on a horse, a caleche (coach) a llama, a vicuna, a huanaco, and various racial types ©Mary Evans Picture Library/ The Image Works
TRANSPORT BY LLAMA - Llamas used in caravan in South America   ©Mary Evans / The Image Works
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TRANSPORT BY LLAMA - Llamas used in caravan in South America ©Mary Evans / The Image Works
View of the Chimborazo volcano in the Andes, Ecuador. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1837.  © Florilegius / Mary Evans / The Image Works
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View of the Chimborazo volcano in the Andes, Ecuador. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1837. © Florilegius / Mary Evans / The Image Works
The capture of a town by Godfrey of Bouillon. © Fine Art Images/Heritage / The Image Works
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The capture of a town by Godfrey of Bouillon. © Fine Art Images/Heritage / The Image Works
Polyphon gefasstes Weiss (Blanc polyphoniquement serti), 1930. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
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Polyphon gefasstes Weiss (Blanc polyphoniquement serti), 1930. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
Segelschiffe (Bateaux à voile), 1927. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
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Segelschiffe (Bateaux à voile), 1927. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
Das Licht und die Schärfen (La lumière et les arêtes), 1935. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
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Das Licht und die Schärfen (La lumière et les arêtes), 1935. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
Zur Gruppe geschlungen (Enlacés en un groupe), 1930. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
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Zur Gruppe geschlungen (Enlacés en un groupe), 1930. Found in the Collection of Zentrum Paul Klee, Bern. © Fine Art Images/Heritage / The Image Works
Portrait of Hermann Bahr (1863-1934), ca 1904. Found in the Collection of Vienna Museum. © Fine Art Images/Heritage / The Image Works
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Portrait of Hermann Bahr (1863-1934), ca 1904. Found in the Collection of Vienna Museum. © Fine Art Images/Heritage / The Image Works
The Bridge (Ponte salvatico). Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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The Bridge (Ponte salvatico). Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Fountain . Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Fountain . Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Water pumps, c. 1480. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Water pumps, c. 1480. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Machine to produce gold foil, ca 1493. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Machine to produce gold foil, ca 1493. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Automated turnspit: the upper one is moved by a counterweight, the lower one by hot air, c. 1480. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Automated turnspit: the upper one is moved by a counterweight, the lower one by hot air, c. 1480. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Design for a mechanical wing, 1478-1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Design for a mechanical wing, 1478-1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Perspectograph (optical instrument) , Between 1480 and 1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Perspectograph (optical instrument) , Between 1480 and 1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
The city of Milan. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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The city of Milan. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Sketch of a bombing with study of the projectiles' trajectories. (right) and Study of a horse for the Battle of Anghiari, 1478-1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Sketch of a bombing with study of the projectiles' trajectories. (right) and Study of a horse for the Battle of Anghiari, 1478-1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
Study of two mortars able to throw explosive bombs, 1478-1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works
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Study of two mortars able to throw explosive bombs, 1478-1518. Found in the Collection of Veneranda Biblioteca Ambrosiana. © Fine Art Images/Heritage / The Image Works

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