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"Illustration"

Peulot / Félix Thorigny.  Le Dhuis, cut of the water reservoir. Work carried out at Ménilmontant to dig the large reservoir. Paris, musée Carnavalet. © Musée Carnavalet/Roger-Viollet/ The Image Works
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Peulot / Félix Thorigny. Le Dhuis, cut of the water reservoir. Work carried out at Ménilmontant to dig the large reservoir. Paris, musée Carnavalet. © Musée Carnavalet/Roger-Viollet/ The Image Works
Herodes the Great, King of the Jews (37-4 BC).-Herodes and his train (on the stairs) visit the completed southwestern entrance of the Temple area (new building of the Temple in Jerusalem under Herodes, building started 20 BC).-Aquarelle, undated, by Peter Connolly (born 1935).  Year of work: 1983.  ©akg-images / Peter Connolly / The Image Works
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Herodes the Great, King of the Jews (37-4 BC).-Herodes and his train (on the stairs) visit the completed southwestern entrance of the Temple area (new building of the Temple in Jerusalem under Herodes, building started 20 BC).-Aquarelle, undated, by Peter Connolly (born 1935). Year of work: 1983. ©akg-images / Peter Connolly / The Image Works
Jerusalem, Temple of Solomon. Woodcut portraying Jerusalem, with the temple of solomon, from Liber Chronicarum Mundi (1493)   © Charles Walker / TopFoto / The Image Works
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Jerusalem, Temple of Solomon. Woodcut portraying Jerusalem, with the temple of solomon, from Liber Chronicarum Mundi (1493) © Charles Walker / TopFoto / The Image Works
Temple of Solomon. Masonic. The Temple of Solomon at Jerusalem. Said to be after an engraving by Matthew Merian, dated 1695   © Charles Walker / TopFoto / The Image Works
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Temple of Solomon. Masonic. The Temple of Solomon at Jerusalem. Said to be after an engraving by Matthew Merian, dated 1695 © Charles Walker / TopFoto / The Image Works
France: 1848. "Departure of settlers for Algeria". Bastin. "Départ des colons pour l'Algérie". Engraving,  Paris, musée Carnavalet.  © Musée Carnavalet / Roger-Viollet / The Image Works
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France: 1848. "Departure of settlers for Algeria". Bastin. "Départ des colons pour l'Algérie". Engraving, Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
ST ELMO'S FIRE - PLANE - manifesting on the fuselage and engine nacelles of a German Heinkel bomber, during World War Two. 1941  ©Mary Evans Picture Library / The Image Works
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ST ELMO'S FIRE - PLANE - manifesting on the fuselage and engine nacelles of a German Heinkel bomber, during World War Two. 1941 ©Mary Evans Picture Library / The Image Works
ST ELMO'S FIRE IN AIR - German Heinkel aircrews over Western Europe report 'St Elmo's Fire' - an electrical phenomenon - on the wings of their aircraft.  ©Mary Evans Picture Library/The Image Works
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ST ELMO'S FIRE IN AIR - German Heinkel aircrews over Western Europe report 'St Elmo's Fire' - an electrical phenomenon - on the wings of their aircraft. ©Mary Evans Picture Library/The Image Works
Japan: Painting of a 'mermaid' reportedly captured in Toyoma Bay in 1805. The accompanying text records that the creature was 10.6 metres long. - A mermaid is a mythological aquatic creature with a female human head and torso and the tail of a fish. Mermaids are represented broadly in folklore, literature, and popular culture. In Japan mermaids are called ningyo or 'fish people'. An old Japanese belief was that eating the flesh of a ningyo could grant immortality. Noted natural historian Baien Mouri (1798-1851), a prolific illustrator known for his colorful depictions of plants and animals, included two sketches of a mermaid in his 1835 book Baien Gyofu ('Baien Book of Fish').  © Pictures From History / The Image Works
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Japan: Painting of a 'mermaid' reportedly captured in Toyoma Bay in 1805. The accompanying text records that the creature was 10.6 metres long. - A mermaid is a mythological aquatic creature with a female human head and torso and the tail of a fish. Mermaids are represented broadly in folklore, literature, and popular culture. In Japan mermaids are called ningyo or 'fish people'. An old Japanese belief was that eating the flesh of a ningyo could grant immortality. Noted natural historian Baien Mouri (1798-1851), a prolific illustrator known for his colorful depictions of plants and animals, included two sketches of a mermaid in his 1835 book Baien Gyofu ('Baien Book of Fish'). © Pictures From History / The Image Works
The Battle of Wagram. - The Battle of Wagram. Private Collection. ©Fine Art Images / Heritage / The Image Works
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The Battle of Wagram. - The Battle of Wagram. Private Collection. ©Fine Art Images / Heritage / The Image Works
The Arnold Inkwell, 1899. - The Arnold Inkwell, 1899. Private Collection. ©Fine Art Images / Heritage / The Image Works
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The Arnold Inkwell, 1899. - The Arnold Inkwell, 1899. Private Collection. ©Fine Art Images / Heritage / The Image Works
UFOS/FOO FIGHTERS - During World War Two, American bombers encounter 'foo fighters' during a bombing raids on Germany ; at first they are thought to be secret weapons. 1944  ©Mary Evans Picture Library / The Image Works
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UFOS/FOO FIGHTERS - During World War Two, American bombers encounter 'foo fighters' during a bombing raids on Germany ; at first they are thought to be secret weapons. 1944 ©Mary Evans Picture Library / The Image Works
Paris, France: First view of the boulevards from the Porte Saint-Antoine. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
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Paris, France: First view of the boulevards from the Porte Saint-Antoine. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
Honoré Daumier (1808-1879)."Croquis d'été - les bains à quatre sous", plate 29. Black lithograph. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
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Honoré Daumier (1808-1879)."Croquis d'été - les bains à quatre sous", plate 29. Black lithograph. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
Paris, France: Edward Radclyffe, Eugène Lami. "Boulevard des Italiens". Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
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Paris, France: Edward Radclyffe, Eugène Lami. "Boulevard des Italiens". Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
"Passez, payez". Engraving by Carle Vernet (1758-1836) and Philibert-Louis Debucourt (1755-1832). Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
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"Passez, payez". Engraving by Carle Vernet (1758-1836) and Philibert-Louis Debucourt (1755-1832). Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
France: Chinese baths in Paris, raised by Alexandre Lenoir in 1787. Paris, musée Carnavalet.  © Musée Carnavalet / Roger-Viollet / The Image Works
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France: Chinese baths in Paris, raised by Alexandre Lenoir in 1787. Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
"Project for the Elephant fountain, place de la Bastille, about 1814", drawing by Jean-Antoine Alavoine (1776-1834). Paris, musée Carnavalet.  © Musée Carnavalet / Roger-Viollet / The Image Works
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"Project for the Elephant fountain, place de la Bastille, about 1814", drawing by Jean-Antoine Alavoine (1776-1834). Paris, musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
France: Paris Ist arrondissement. The Carrousel square with electric lights. Engraving by Deschamps after Karl Fichot (1881). © Roger-Viollet / The Image Works
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France: Paris Ist arrondissement. The Carrousel square with electric lights. Engraving by Deschamps after Karl Fichot (1881). © Roger-Viollet / The Image Works
Paris, France:  Omnibus of the "Dames blanches" company- Madeleine to porte Saint-Martin line. Lithograph by Gihaut after Auguste Raffet (1804-1860). Bibliothèque de la ville de Paris. Around 1830. © Roger-Viollet / The Image Works
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Paris, France: Omnibus of the "Dames blanches" company- Madeleine to porte Saint-Martin line. Lithograph by Gihaut after Auguste Raffet (1804-1860). Bibliothèque de la ville de Paris. Around 1830. © Roger-Viollet / The Image Works
Paris, France: Edouard Renard. "Le dessus et le dessous de Paris". Embossment. Paris, Musée Carnavalet.  © Musée Carnavalet / Roger-Viollet / The Image Works
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Paris, France: Edouard Renard. "Le dessus et le dessous de Paris". Embossment. Paris, Musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
Adolphe Yvon (1817-1893). "Napoleon III handing the decree of annexation of the surrounding town to Baron Haussmann". Oil on canvas, 1865. Paris, Musée Carnavalet.  © Musée Carnavalet / Roger-Viollet / The Image Works
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Adolphe Yvon (1817-1893). "Napoleon III handing the decree of annexation of the surrounding town to Baron Haussmann". Oil on canvas, 1865. Paris, Musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
France: Honoré Daumier (1808-1879). "Locataires et propriétaires" number 6. "Vue prise dans un quartier en démolition". Engraving. Paris, Musée Carnavalet.  © Musée Carnavalet / Roger-Viollet / The Image Works
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France: Honoré Daumier (1808-1879). "Locataires et propriétaires" number 6. "Vue prise dans un quartier en démolition". Engraving. Paris, Musée Carnavalet. © Musée Carnavalet / Roger-Viollet / The Image Works
Victor Considérant (1808-1893), French politician, engraving by Alexandre Lacauchie and Jules Rebel. © Roger-Viollet / The Image Works
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Victor Considérant (1808-1893), French politician, engraving by Alexandre Lacauchie and Jules Rebel. © Roger-Viollet / The Image Works
SILAS WEIR MITCHELL,  American doctor and writer         Date: 1829 - 1914  ©Mary Evans / The Image Works
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SILAS WEIR MITCHELL, American doctor and writer Date: 1829 - 1914 ©Mary Evans / The Image Works
Jahangir as a youth. Jahangir, standing holding a pink rose. Anon. Mughal, 1620-1630.©The British Library Board / The Image Works
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Jahangir as a youth. Jahangir, standing holding a pink rose. Anon. Mughal, 1620-1630.©The British Library Board / The Image Works

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